
Lara Khoury —
Lara Khoury's collections have won fans in Kuwait, Saudi Arabia, the UAE and also in Japan -- she's sold whole collections to boutique buyers in each country. 
'A better future' —
Khoury's spring/summer 2015 collection featuring bright, happy colors, was "an invitation to Lebanese people to find a better future together." Gluttony, the voluminous autumn/winter 2013 collection, was intended as a reprimand of the country's politicians and businessmen for their "greed." 
New markets —
Khoury says she now hopes her creations will break into the South American market.

Timi Hayek —
Housed in a 1940s brick building constructed at the direction of her great-grandmother, Hayek's boutique has only been open since April.

Rough fabrics —
Hayek uses heavy fabrics like burlap and rough linen to make frilly, pleated frocks and crop tops. Her work is inspired by mythology and nature.

Bashar Assaf —
Bashar Assaf is inspired by organic patterns and the physical sciences. The print designer's collections so far have featured body conscious sheer silks and chiffons printed with rocks, water and skulls as well as a zoomed-in cross section of a human heart.

Defying restrictions —
Assaf is currently supplementing his income with a collection of abayas for the Saudi market, with the backing of a Saudi partner. Despite the restrictions imposed by conservative Saudi law, Assaf has managed to sneak in cuts and color blocking he is proud to call his own.

Krikor Jabotian —
Krikor Jabotian began developing his client base in 2008, before the flow of Gulf tourists coming to Lebanon stopped due to the war in neighboring Syria.

Destination dresses —
Jabotian's wedding gowns start at $25,000 and are hand sewn, embroidered and pearled down to the last detail.

Nour Hage —
Lara Khoury is part of a new group of designers bringing ready-to-wear fashions to Beirut's couture scene. Nour Hage's designs diverge from the pretty, polished effect that many Lebanese women prefer.

Rough styles —
"You can always find traces of Beirut's imperfections in my collections; everything is always asymmetrical, raw, a bit rough," Nour Hage says of her work. "In Beirut, it's always new, shiny, polished buildings next to a building that's been falling over since the civil war. It's that contrast that I really like."



