US-born artist Nancy Fouts creates startling surreal sculptures from her London studio, taking inspiration from everyday objects around her.
"Purse With Teeth" by Nancy Fouts (2010) —
US-born artist Nancy Fouts creates startling surreal sculptures from her London studio, taking inspiration from everyday objects around her.
Courtesy Nancy Fouts
"Of course, when someone buys my work it is rewarding too. But nothing beats just showing my work to the public."
"Ladybird Pill Packet" by Nancy Fouts (2012) —
"Of course, when someone buys my work it is rewarding too. But nothing beats just showing my work to the public."
Courtesy Nancy Fouts
"I continuously ask myself, as if i did not know the answer, 'What else does this look like, what else looks like it?'" Fouts says.
"Egg Cock" by Nancy Fouts (2011) —
"I continuously ask myself, as if i did not know the answer, 'What else does this look like, what else looks like it?'" Fouts says.
Courtesy Nancy Fouts
"Children's reactions are the best. A child asked me recently (after looking at one of my birds in a glass dome) 'How do you feed it? When do you let the bird out?' They don't analyze. They think, 'why not?' rather than 'why'," she says.
"Ducklings in Glass Dome" by Nancy Fouts (2015) —
"Children's reactions are the best. A child asked me recently (after looking at one of my birds in a glass dome) 'How do you feed it? When do you let the bird out?' They don't analyze. They think, 'why not?' rather than 'why'," she says.
Courtesy Nancy Fouts
"I love to secretly watch people looking at my work, smiling, laughing and wondering. This is my reward."
"Egg Birth" by Nancy Fouts (2011) —
"I love to secretly watch people looking at my work, smiling, laughing and wondering. This is my reward."
Courtesy Nancy Fouts
<a href="index.php?page=&url=http%3A%2F%2Fwww.adamniklewicz.com%2F" target="_blank" target="_blank">Adam Nikewicz</a> also uses everyday objects in his work. However, for him, humor and irony are paramount.
"Rigorous" by Adam Niklewicz (2016) —
Adam Nikewicz also uses everyday objects in his work. However, for him, humor and irony are paramount.
Courtesy Adam Niklewicz
"Society would rather make you believe reality can be sanitized, streamlined and made predictable. I think I make art to poke holes in that illusion," he says. "There isn't enough humor in art." <br />
"Untitled" by Adam Niklewicz (2008) —
"Society would rather make you believe reality can be sanitized, streamlined and made predictable. I think I make art to poke holes in that illusion," he says. "There isn't enough humor in art."
Courtesy Adam Niklewicz
"I like to be surprised by my own work. 'Sometime Last January I Awoke in the Morning With My Hand Up' has caught me by surprise, and therefore figures among my favorites."
"Sometime Last January I Awoke in the Morning With My Hand Up" by Adam Niklewicz (2005) —
"I like to be surprised by my own work. 'Sometime Last January I Awoke in the Morning With My Hand Up' has caught me by surprise, and therefore figures among my favorites."
Courtesy Adam Niklewicz
"I've heard people describe my work as poetic -- I'm all for this description. I also don't mind being called a surrealist, but I'd object to being called a Dada artist. Surrealism affirms reality and expands on it, but Dada merely rejects and belittles it."
"Hyperallergic" by Adam Niklewicz (2016) —
"I've heard people describe my work as poetic -- I'm all for this description. I also don't mind being called a surrealist, but I'd object to being called a Dada artist. Surrealism affirms reality and expands on it, but Dada merely rejects and belittles it."
Courtesy Adam Niklewicz
Michael Beitz, who previously worked as a furniture-maker, gives common objects a literal twist to comment on different elements of the human condition. "Dining Table," for example, is meant to look at "the silent tension that often exists between close people and the inability to communicate," he says.
"Dining Table" by Michael Beitz (2010) —
Michael Beitz, who previously worked as a furniture-maker, gives common objects a literal twist to comment on different elements of the human condition. "Dining Table," for example, is meant to look at "the silent tension that often exists between close people and the inability to communicate," he says.
Courtesy Michael Beitz
"My practice is a sort of hybrid between art and design," Beitz says. "I am interested in working with ideas and integrating them into the world of everyday objects and spaces."
"Table" —
"My practice is a sort of hybrid between art and design," Beitz says. "I am interested in working with ideas and integrating them into the world of everyday objects and spaces."
Courtesy Michael Beitz
Beitz calls "Knot," his and favorite sculpture since leaving the furniture trade, "essentially the cancellation of the sofa form and all that it represents, comfort and leisure." <br /><br />"I personally find my work very sad and serious, but its pleasing that people find it playful and funny. Isn't it true that the truly funny things often come from uneasy places?"
"Knot" by Michael Beitz (2015) —
Beitz calls "Knot," his and favorite sculpture since leaving the furniture trade, "essentially the cancellation of the sofa form and all that it represents, comfort and leisure."

"I personally find my work very sad and serious, but its pleasing that people find it playful and funny. Isn't it true that the truly funny things often come from uneasy places?"
Courtesy Michael Beitz
In Japanese artist <a href="index.php?page=&url=http%3A%2F%2Fwww.jiyuseki.com%2Fenglish%2Fenglish.html" target="_blank" target="_blank">Hirotoshi Ito's work</a>, the nature and civilization collide in humorous stone works. He, however, rejects any surrealist labeling. <br /><br />"I was influenced as much as by the spirit of fun that Japanese traditional crafts have as by some works of surrealists," he says.
"Laughing Stone" by Hirotoshi Ito —
In Japanese artist Hirotoshi Ito's work, the nature and civilization collide in humorous stone works. He, however, rejects any surrealist labeling.

"I was influenced as much as by the spirit of fun that Japanese traditional crafts have as by some works of surrealists," he says.
Courtesy Hirotoshi Ito
However, like Niklewicz, Ito says humor is at the core of what he does. <br />"I am trying to put humor and poison to my works. If people smile looking at my works, then I (consider that) the best evaluation."
"Delicious Stone" by Hirotoshi Ito —
However, like Niklewicz, Ito says humor is at the core of what he does.
"I am trying to put humor and poison to my works. If people smile looking at my works, then I (consider that) the best evaluation."
Courtesy Hirotoshi Ito
"The interesting thing is that the people's reaction is not so different between the countries," Ito says. "People ask me 'Is it a stone?', so I answer 'Yes, it's a stone.' My conversations with the visitors begin with these simple words."
"Fossil of the Gadget" by Hirotoshi Ito —
"The interesting thing is that the people's reaction is not so different between the countries," Ito says. "People ask me 'Is it a stone?', so I answer 'Yes, it's a stone.' My conversations with the visitors begin with these simple words."
Courtesy Hirotoshi Ito
Expanding on the theme of the natural, Korean artist <a href="index.php?page=&url=http%3A%2F%2Fwww.myeongbeomkim.com%2Fen%2F" target="_blank" target="_blank">Myeongbeom Kim</a> typically works with trees and other plant life (and, in this case, a taxidermy deer). Kim has had solo shows in South Korea, China, France, Puerto Rico and the US.
"Untitled" by Myeongbeom Kim —
Expanding on the theme of the natural, Korean artist Myeongbeom Kim typically works with trees and other plant life (and, in this case, a taxidermy deer). Kim has had solo shows in South Korea, China, France, Puerto Rico and the US.
Courtesy Myeongbeom Kim
"Most people think that I am a surrealist, but I am not sure," Kim says. "I am still trying to find myself in the realities of life."
"Untitled" by Myeongbeom Kim —
"Most people think that I am a surrealist, but I am not sure," Kim says. "I am still trying to find myself in the realities of life."
Courtesy Myeongbeom Kim
For Kim, the goal is to express his personal relationship with the natural world. <br />"I see my environment from the viewpoint of life," Kim says. "I have consistently experienced my surrounding objects from the perspective of life, growth, and decline, which lends vitality to my work."
"Untitled" by Myeongbeom Kim —
For Kim, the goal is to express his personal relationship with the natural world.
"I see my environment from the viewpoint of life," Kim says. "I have consistently experienced my surrounding objects from the perspective of life, growth, and decline, which lends vitality to my work."
Courtesy Myeongbeom Kim