
Photographer Nina Ahn's images are intended to capture the phenomenon of "honjok" among South Korea's youth.

"Honjok" is a term often used to describe a generation that embraces solitude and independence.

"We live in a generation where simply working hard for a bright future doesn't guarantee happiness, Ahn said, "so why not invest in 'me' time?"

The term "honjok" combines the Korean words "hon" (alone) and "jok" (tribe).

Although Ahn's photographs often explore issues around loneliness, she believes that her contemporaries are more willing to enrich their lives through experiences like travel.

"(My peers) know that there is no happily-ever-after," Ahn said. "And they are responding to life in a wiser way. Our priorities in life have changed."

Ahn's photos depict young, solitary subjects, in an exploration of the social realities of young South Koreans.

Ahn believes that today's youth have limited opportunities to interact with others -- and a lack of time dedicated to themselves.

There were over 5 million single-person households in South Korea as of 2016, accounting for almost 28% of the population.

A woman in her 20s sits alone on a guardrail beside an empty highway in Seoul.

A growing middle class -- coupled with government efforts to promote family planning -- has contributed to a dramatic drop in the country's birth rate.

Photographer Ahn has spent more than a decade living in Seoul.

The concept of loneliness and isolation also inspired photographer Hasisi Park in the following works.

Park attributes the loneliness of South Korea's youth to the social pressures of the modern age.

According to Park, who also produces intimate portraits of family life, the "honjok" generation is now an economic force in its own right. "(It) has gotten big enough to form a culture with consumer power," she said.

Park works as a freelance photographer in Seoul and has taken photographs for magazines including Time and GQ.

"The society we live in can be very unstable, and I think young people don't want to be compromised anymore," Park said.

Park often depicts her subjects as powerless beings in the great wilderness or society at large.



