
Director Park Chan-wook's new erotic thriller "The Handmaiden" takes place in 1930s South Korea, when the country was heavily influenced by its Japanese colonizers.

The plot revolves around handmaiden Sookee (Kim Tae-ri) and her mistress Lady Hideko (Kim Min-hee). Sookee, a young pickpocket, is sent to a country estate to secure the heiress' confidence, before pushing her towards marriage with a fellow swindler posing as a Japanese Count (Ha Jung-woo). All the while Uncle Kouzuki (Cho Jin-woong), a perverted old man, holds sway over his melancholy niece.

"The Handmaiden" is the first time Korean stars Kim Min-hee and Ha Jung-woo have appeared in a Park film. The psycho-sexual drama, which premiered at the Cannes Film Festival in May, is inspired by "Fingersmith", a novel by British author Sarah Waters.

"Stoker" (2013) —
Park's previous film was the director's first foray into Hollywood. "Stoker", featuring Nicole Kidman, Mia Wasikowska and Matthew Goode, told the story of a mystery uncle (Goode) who appears after the death of his brother (Wasikowska's father). The young lady, charmed by the man, nevertheless suspects he may have ulterior motives.

"Thirst" (2009) —
"Thirst" was awarded the Jury Prize at Cannes in 2009. An alternative take on vampire flicks of old, we share in the horrors of a young priest who becomes a vampire after a failed medical experiment. Angst and blood-letting ensues.

"I'm a Cyborg, But That's OK" (2006) —
Turning his hand to romantic comedy, Park used a mental institute as a backdrop for the burgeoning relationship between a young suicidal woman who believes she's a cyborg, and a schizophrenic kleptomaniac who claims he can steal aspects of people's personalities.

"Lady Vengeance" (2005) —
The last chapter of Park's "Vengeance Trilogy" competed for the Golden Lion at the Venice Film Festival, walking away with a handful of other prizes. It follows the fate of an ex-convict hunting down the true perpetrator of a murder she did time for.

"Oldboy" (2003) —
Considered by many to be the pinnacle of Park's achievements, "Oldboy" won the Grand Prix at Cannes in 2004, when fellow connoisseur of violence Quentin Tarantino led the jury. A revenge thriller with elements of Greek tragedy, it begins with Oh Dae-su (Choi Min-sik), a man imprisoned in a hotel room for 15 years for no obvious reason. One day he's released, and goes looking for answers -- but not before stopping off to eat a live octopus, a scene which has achieved infamy, mainly because the seven octopuses used were real.

"Sympathy for Mr. Vengeance" (2002) —
Kicking off the "Vengeance Trilogy", "Sympathy" was Park's follow up after his break through, the high-stakes demilitarized zone thriller "Joint Security Area". The plot follows a deaf-mute brother doing everything he can to raise money for his sister's kidney transplant -- including kidnapping the daughter of his former boss.


