
Journalist and photographer Oliver Wainwright's new book "Inside North Korea" presents eye-opening architecture in the most secretive country in the world.

The collection of around 200 photos shows the history and development of Pyongyang through dazzling structures such as a Saturn-shaped planetarium and an ice rink resembling a concrete teepee.

Wainwright's depictions of Pyongyang's utilitarian apartment blocks and public sports facilities serve as a reminder that, as in any city, form sometimes follows function.

North Korea's capital, Pyongyang, had to be built from scratch following the Korean War in 1953.

This, coupled with the country's relative political stability since, means that the capital is a well-preserved record of North Korea's modern history.

"It has to be the only city in the world where the original political ideology which spawned the urban plan is still intact," Wainwright said in a phone interview.

"It's like walking around a living museum to the Kims' 'Juche' ideology," he added, "which is all about self-sufficiency and self-reliance."

Despite an architectural philosophy that eschews outside influences, many of Pyongyang's post-war buildings are distinctly Soviet in style.

Kim Il Sung relied on Moscow-trained architects to rebuild the country during the 1950s, though he ensured that local influences played their part.

The city's more unusual structures would appear under the guidance of Kim Jong Il, who established his architectural credentials before his father's death in 1994.

Less deferential to history than his predecessor, he saw architecture as an expression of progress and modernity, according to Wainwright, who describes Kim Jong ll as having "more of a sci-fi fantasy fetish."

"In Kim Jong Il's 1991 treatise 'On Architecture,' he describes how (the event's buildings) were specially designed to be a combination of cylinders, ziggurats and serpentine curves. He said that rectilinear buildings were an 'outdated method.'"

Having inaugurated a number of large-scale apartment complexes and public projects since assuming power in 2011, Kim Jong Un's aesthetic appears to be distinctly pastel-colored.

Soft shades of pink, orange and blue may predate the current leader, but Wainwright believes that their use has accelerated in recent years.

"Things are rounded and soft, candy-shaded and pastel, and you sense that they're trying to provide a visual anesthetic, almost. It's this kind of saccharine salve to distract people ... from the fact they're living under an authoritarian regime."

The cumulative effect of three leaders' differing visions for the city leave it feeling "very theatrical," Wainwright said, comparing Pyongyang to a movie set.

This unique meeting of Soviet influences, post-modernism and pastel colors also creates a Machiavellian blend of utopian and severe forms. Pyongyang, it seems, is a city asking to be both loved and feared.

"Inside North Korea," published by Taschen, is available August 15, 2018. Prints from the book are available through Saatchi Art.



