
"The Great Wave off Kanagawa" (c.1830-32) by Katsushika Hokusai —
Hokusai's famous "The Great Wave off Kanagawa." Scroll through the gallery to see more of his ukiyo-e prints.

"Fine Wind, Clear Morning" (c.1830-32) by Katsushika Hokusai —
Like "The Great Wave," this print forms part of Hokusai's collection "Thirty-six Views of Mount Fuji."

"Umezawa Manor in Sagami Province" (c.1830-32) by Katsushika Hokusai —
The term "aizuri-e" refers to woodblocks made predominantly from blue inks.

"Kirifuri Waterfall at Kurokami Mountain in Shimotsuke" (c.1832) by Katsushika Hokusai —
A print from Hokusai's eight-image series, "A Tour of Waterfalls in Various Provinces."

"Peonies and Butterfly" (c.1832) by Katsushika Hokusai —
French impressionist Claude Monet once owned a copy of Hokusai's print "Peonies and Butterfly."

"Courtesan and Her Young Attendant" (c.1830s) by Katsushika Hokusai —
Although his prints often focused on the natural world, Hokusai also depicted courtesans and actors.

"Random Sketches by Hokusai, Volume 11" by Katsushika Hokusai —
Many of Hokusai's sketches have survived, showing the genesis of ideas that later appeared as ukiyo-e prints.

"The Mansion of the Plates" (c.1831-32) by Katsushika Hokusai —
A print from Hokusai's woodblock series, "One Hundred Ghost Tales."

"Laughing Demoness" (c.1830-32), by Katsushika Hokusai —
Although considered a realist, Hokusai also depicted supernatural and spiritual subjects.

"Panoramic Views of Both Banks of the Sumida River at a Glance" (c.1806) by Katsushika Hokusai —
In the earlier stages of his career, Hokusai worked on a number of brightly colored illustrated books.


