
"Reflecting Memory" (2016), by Kader Attia, is a disturbing treatise on phantom pain, a phenomenon where the sufferer experiences discomfort from a lost limb. It's just one of many thought-provoking films at Art Basel this year.

"The Swim" (2017), by He Xiangyu, follows the director's journeys to his hometown of Kuandian in Northeast China.

"Dear Animal" (2016), by Maha Maamoun, is the surreal tale of a drug dealer who transforms into a mythical animal.

"Shoot Don't Shoot" (2012), by William E. Jones, uses footage from instructional videos that teach police officers how to decide when to fire their guns.

"We All We Got" (2014), by Carlos Javier Ortiz, documents the sights and sounds around Chicago after a young man was killed by the police.

"People of a Darker Hue" (2016), by Carrie Mae Weems, is part of a series of films about racially motivated violence.

"Also Known as Jihadi" (2017), by Eric Baudelaire, tells the story of a French teenager who travels to Syria to join the Islamic State.

"The Stuart Hall Project" (2013), by John Akomfrah, is an acclaimed documentary about the seminal British cultural theorist.

"The Communist Revolution Was Caused By The Sun" (2016), by Anton Vidokle, is part of his series of films on Russian cosmology. It focuses on the work and legacy of Soviet biophysicist Alexander Chizhevsky.


