This picture of Winston Churchill, taken in 1932, was commissioned by Vanity Fair but never published. It has never been shown in public before.
The art of Edward Steichen —
This picture of Winston Churchill, taken in 1932, was commissioned by Vanity Fair but never published. It has never been shown in public before.
Courtesy Condé Nast Archive
Greta Garbo poses in 1929 for Vanity Fair's October 1, 1929 edition. Edward Steichen, the photographer, was recognized as the best in the world at the time.
The art of Edward Steichen —
Greta Garbo poses in 1929 for Vanity Fair's October 1, 1929 edition. Edward Steichen, the photographer, was recognized as the best in the world at the time.
Courtesy Condé Nast Archive
This picture of the poet William Butler Yeats, which appeared in Vanity Fair on January 1,1933, shows Steichen's remarkable ability to capture a person's character.
The art of Edward Steichen —
This picture of the poet William Butler Yeats, which appeared in Vanity Fair on January 1,1933, shows Steichen's remarkable ability to capture a person's character.
Courtesy Condé Nast Archive
Marlene Dietrich appeared in Vanity Fair on June 1, 1935. In the days before professional models, actresses were chosen to model by Conde Nast, who recognized their ability to relate to the camera.
The art of Edward Steichen —
Marlene Dietrich appeared in Vanity Fair on June 1, 1935. In the days before professional models, actresses were chosen to model by Conde Nast, who recognized their ability to relate to the camera.
Courtesy Condé Nast Archive
Actress Gloria Swanson in 1924, behind a laced veil.
The art of Edward Steichen —
Actress Gloria Swanson in 1924, behind a laced veil.
Courtesy Condé Nast Archive
This is a 1923 example of Steichen's work, showing his earlier Art Nouveau style. The actress Jetta Goudal is pictured wearing a satin gown by Lanvin for Vogue magazine, November 1, 1923.
The art of Edward Steichen —
This is a 1923 example of Steichen's work, showing his earlier Art Nouveau style. The actress Jetta Goudal is pictured wearing a satin gown by Lanvin for Vogue magazine, November 1, 1923.
Courtesy Condé Nast Archive
Steichen was asked to photograph fashion, but he had little interest in clothes and approached it as a portrait photographer. This is the actress Mary Heberden in Vogue, March 15, 1935.
The art of Edward Steichen —
Steichen was asked to photograph fashion, but he had little interest in clothes and approached it as a portrait photographer. This is the actress Mary Heberden in Vogue, March 15, 1935.
Courtesy Condé Nast Archive
Steichen's portrait background revolutionized the nascent world of fashion photography. Here is actress Joan Bennett, in Vanity Fair, December 1, 1928.
The art of Edward Steichen —
Steichen's portrait background revolutionized the nascent world of fashion photography. Here is actress Joan Bennett, in Vanity Fair, December 1, 1928.
Courtesy Condé Nast Archive
Steichen was also a respected painter, evident in pictures like this one, in which an unknown model poses for a hand and nail care feature in Vogue, June 1, 1934.
The art of Edward Steichen —
Steichen was also a respected painter, evident in pictures like this one, in which an unknown model poses for a hand and nail care feature in Vogue, June 1, 1934.
Courtesy Condé Nast Archive
Several boxes of Steichen's pictures were found in the archives at Conde Nast in New York. They had been printed using methods from the period, which involved high levels of silver in the print, giving a remarkable richness.
The art of Edward Steichen —
Several boxes of Steichen's pictures were found in the archives at Conde Nast in New York. They had been printed using methods from the period, which involved high levels of silver in the print, giving a remarkable richness.
Courtesy Condé Nast Archive
This portrait of Model Margaret Horan, which appeared in Vogue on November 1, 1935, shows Steichen's dramatic eye for light and shade.
The art of Edward Steichen —
This portrait of Model Margaret Horan, which appeared in Vogue on November 1, 1935, shows Steichen's dramatic eye for light and shade.
Courtesy Condé Nast Archive
The actress Anna May Wong, pictured by Steichen in 1930.
The art of Edward Steichen —
The actress Anna May Wong, pictured by Steichen in 1930.
Courtesy Condé Nast Archive
Fashion photography made Steichen's name. This is the "first supermodel" Marion Morehouse, with an unidentified model, wearing dresses by Vionnet in Vogue, October 27, 1930.
The art of Edward Steichen —
Fashion photography made Steichen's name. This is the "first supermodel" Marion Morehouse, with an unidentified model, wearing dresses by Vionnet in Vogue, October 27, 1930.
Courtesy Condé Nast Archive
This portrait of the writer Sinclair Lewis, pictured in Vanity Fair, December 1, 1932, shows Steichen's talent for capturing a brief but telling moment.
The art of Edward Steichen —
This portrait of the writer Sinclair Lewis, pictured in Vanity Fair, December 1, 1932, shows Steichen's talent for capturing a brief but telling moment.
Courtesy Condé Nast Archive
This is a self-portrait of Steichen with "photographic paraphernalia", taken in 1929. It appeared in Vanity Fair in October 1, 1929.
The art of Edward Steichen —
This is a self-portrait of Steichen with "photographic paraphernalia", taken in 1929. It appeared in Vanity Fair in October 1, 1929.
Courtesy Condé Nast Archive