
Future of film -- Mauritius is working on developing a film studio to attract international productions with top-notch facilities to support shoots in the country's tropical island paradise scenery.

New experience -- Australian photographer Joseph Manglaviti created his photo safaris shortly after moving to the island.

Street life -- Manglaviti's tours take in roadside motorcycle repair shops and the weekend markets that spring up in communities across the island.

A different side -- While postcard-perfect beaches and mountains are among the attractions on Mauritus, Manglaviti's safaris explore a different side to the island.

Mauritius life -- "Your backdrop is amazing. What better place to learn to take photos?" Manglaviti says.

New beginnings -- Manglaviti dreamed up the idea of his photo safari after a motorbike accident forced him to scale back work in his own studio.

In demand -- While he was in Mauritius recuperating, Manglaviti found lots of people casually asking for advice, and he developed the concept for Clique Photo Safari Mauritius.

Skills to match the tools -- While more and more people are buying higher-end cameras, many still shoot in automatic mode as they did with cheaper point-and-shoot models.

Training sessions -- Manglaviti meets with aspiring photographers, looks at what they know how to do, and then tailors instruction to help them get the most out of their equipment.

Basic skills -- Within a few hours Manglaviti has his students understanding basic camera mechanics, which helps them begin to experiment with their settings.

Taking control -- "I love it when I can share my love of photography with someone else, and then see them go from not being able to turn a camera on to shooting in manual mode in a couple of hours," Manglaviti says.

Photography Museum -- Created by collector Tristan Bréville, the Mauritius Photography Museum charts the island's early relationship with the captured image.

Valuable archive -- The museum's archive houses more than a million vintage prints.

Images of the past: "We worked to gift our country with the most exceptional photographic archive," Bréville says.

National memory -- "It's the memory of our country," says Bréville, who organizes regular exhibitions despite lack of outside financial support.

Big picture -- Some of the museum's 19th-century cameras are giants, from an age when creating a larger picture required a larger machine.



