<strong>Painting on planes</strong>: Bermuda-based architect John Gardner is a frequent business traveler who passes time on planes by sketching the sights and scenes on board.
Painting on planes: Bermuda-based architect John Gardner is a frequent business traveler who passes time on planes by sketching the sights and scenes on board.
Courtesy John Gardner
<strong>Sketching surroundings: </strong>"Sketching is a nice alternative to taking pictures, as it is making something by hand -- and encourages really seeing and remembering and interpreting," Gardner tells CNN Travel.
Sketching surroundings: "Sketching is a nice alternative to taking pictures, as it is making something by hand -- and encourages really seeing and remembering and interpreting," Gardner tells CNN Travel.
Courtesy John Gardner
<strong>Frequent flyer:</strong> Bermuda-based Gardner is currently teaching at the Rhode Island School of Design, so he travels from Bermuda to Rhode Island and back each week -- plenty of plane time to hone his craft. "I'm doing two flights and two drawings a week," he says. "I'm in an intense phase right now, which is kind of fun."
Frequent flyer: Bermuda-based Gardner is currently teaching at the Rhode Island School of Design, so he travels from Bermuda to Rhode Island and back each week -- plenty of plane time to hone his craft. "I'm doing two flights and two drawings a week," he says. "I'm in an intense phase right now, which is kind of fun."
Courtesy John Gardner
<strong>Creative outlet:</strong> Gardner says on-board conditions are perfect for sketching -- there's no distractions and plenty of time. "It's a creative release," Gardner says. "I find the time on the plane is really very valuable because there's nothing else taking me away from where I am."
Creative outlet: Gardner says on-board conditions are perfect for sketching -- there's no distractions and plenty of time. "It's a creative release," Gardner says. "I find the time on the plane is really very valuable because there's nothing else taking me away from where I am."
Courtesy John Gardner
<strong>Creative catalyst: </strong>The artist is inspired by everything and anything -- he often sketches the air stewards: "At first, I was very much drawing what I saw as the overall view," says Gardner. "The flight attendants are amazing and they get really interested in what I'm doing."
Creative catalyst: The artist is inspired by everything and anything -- he often sketches the air stewards: "At first, I was very much drawing what I saw as the overall view," says Gardner. "The flight attendants are amazing and they get really interested in what I'm doing."
Courtesy John Gardner
<strong>Fine art: </strong>Surprisingly, the plane conditions lend themselves to Gardner's artwork: "The majority of my sketches are are pen and ink and watercolor," he says. "The best thing about watercolor in planes is the humidity is very low, so you can paint and it dries very quickly, which is really nice." Gardner also tries to capture a sense of the limited light and confined space.
Fine art: Surprisingly, the plane conditions lend themselves to Gardner's artwork: "The majority of my sketches are are pen and ink and watercolor," he says. "The best thing about watercolor in planes is the humidity is very low, so you can paint and it dries very quickly, which is really nice." Gardner also tries to capture a sense of the limited light and confined space.
Courtesy John Gardner
<strong>Confined conditions</strong>: Gardner tries to sketch a variety of situations, whatever cabin he ends up in. "What I'll do is ask for two waters and a coffee -- I'll drink one water -- the other's for the paint," explains Gardner. "I try really hard not to have an accident when it's a tight space!"
Confined conditions: Gardner tries to sketch a variety of situations, whatever cabin he ends up in. "What I'll do is ask for two waters and a coffee -- I'll drink one water -- the other's for the paint," explains Gardner. "I try really hard not to have an accident when it's a tight space!"
Courtesy John Gardner
<strong>Breathing space: </strong>But anyone who checks out Gardner's paintings will see he also spends time sketching in executive cabins. <strong>"</strong>It's a lot easier when you're upgraded to Business or First class," Gardner admits. "Because you get more room."
Breathing space: But anyone who checks out Gardner's paintings will see he also spends time sketching in executive cabins. "It's a lot easier when you're upgraded to Business or First class," Gardner admits. "Because you get more room."
Courtesy John Gardner
<strong>Seizing the moment</strong>: Gardner sometimes take photos of scenes and sketches the details later, particularly when his subjects are moving. "I am always interested in what the flight attendants have to do, but they can be hard to study as they are moving all the time," he says.
Seizing the moment: Gardner sometimes take photos of scenes and sketches the details later, particularly when his subjects are moving. "I am always interested in what the flight attendants have to do, but they can be hard to study as they are moving all the time," he says.
Courtesy John Gardner
<strong>Choosing a subject: </strong>Sometimes his other passengers come under his artistic gaze. "I have to be a bit careful as I don't want them feeling weird that I'm glancing at them a lot," he say. "Passengers don't usually know I am drawing them and I ask if they are next to me."
Choosing a subject: Sometimes his other passengers come under his artistic gaze. "I have to be a bit careful as I don't want them feeling weird that I'm glancing at them a lot," he say. "Passengers don't usually know I am drawing them and I ask if they are next to me."
Courtesy John Gardner
<strong>From the snacks to the scenery:</strong> Thanks to the amount of time Gardner spends on the plane, he's able to capture all the idiosyncrasies of on board life. "Recently I got interested in what I was being served," he says. "Whether it was coffee or pretzels or almonds."
From the snacks to the scenery: Thanks to the amount of time Gardner spends on the plane, he's able to capture all the idiosyncrasies of on board life. "Recently I got interested in what I was being served," he says. "Whether it was coffee or pretzels or almonds."
Courtesy John Gardner
<strong>Waiting game:</strong> Executive travel also means a lot of time at the airport and Gardner enjoys sketching people at the terminal. "You start with the eye and the hairline, go down through the nose and the chin, hit the neck and the collar and the shirt and everything else falls into place," he says.
Waiting game: Executive travel also means a lot of time at the airport and Gardner enjoys sketching people at the terminal. "You start with the eye and the hairline, go down through the nose and the chin, hit the neck and the collar and the shirt and everything else falls into place," he says.
Courtesy John Gardner
<strong>Appreciating the little things</strong>: Gardner says painting while traveling helps him better appreciate the everyday moments of flying, rather than resenting his frequent travel: "It makes the memory of the flight particularly interesting," he says. "More interesting than if I just got on and got off."
Appreciating the little things: Gardner says painting while traveling helps him better appreciate the everyday moments of flying, rather than resenting his frequent travel: "It makes the memory of the flight particularly interesting," he says. "More interesting than if I just got on and got off."
Courtesy John Gardner
<strong>Scene change:</strong> Gardner's challenge is finding new ways of seeing the same scenes. "It is hard sketching and painting what is essentially the same view," he says. "But the style can change and if I look hard enough or relax and just start drawing, interesting things reveal themselves."
Scene change: Gardner's challenge is finding new ways of seeing the same scenes. "It is hard sketching and painting what is essentially the same view," he says. "But the style can change and if I look hard enough or relax and just start drawing, interesting things reveal themselves."
Courtesy John Gardner
<strong>Cabin consequences</strong>: Gardner says the end result is always more revealing than he expects. "I find at the end of the flight, I look at the sketch and it's revealed something about the environment I was in," says Gardner. "Something I wasn't looking for, but it happened."
Cabin consequences: Gardner says the end result is always more revealing than he expects. "I find at the end of the flight, I look at the sketch and it's revealed something about the environment I was in," says Gardner. "Something I wasn't looking for, but it happened."
Courtesy John Gardner
<strong>Going global:</strong> Despite drawing for a living, Gardner has always been private about his artistic output -- until now. "In the last few years I've just been exploring a bit more energy on my artwork, with the view of being a more serious artist," he says.
Going global: Despite drawing for a living, Gardner has always been private about his artistic output -- until now. "In the last few years I've just been exploring a bit more energy on my artwork, with the view of being a more serious artist," he says.
Courtesy John Gardner
<strong>Taking the leap</strong>: Gardner's architecture students encouraged him to begin sharing his sketches on <a href="index.php?page=&url=https%3A%2F%2Fwww.instagram.com%2Fnoj.design%2F" target="_blank" target="_blank">Instagram</a>: "I was prompted by the younger generation," he says. "And I was comfortable enough on my own terms that [my drawings] were ready to be out there."
Taking the leap: Gardner's architecture students encouraged him to begin sharing his sketches on Instagram: "I was prompted by the younger generation," he says. "And I was comfortable enough on my own terms that [my drawings] were ready to be out there."
Courtesy John Gardner
<strong>Worldwide response:</strong> It's early days, but so far Gardner is enjoying sharing his sketchbook: "The response is this huge, worldwide array of people who pick up your work," he says. "I think that's just fascinating, and then I see what they're interested in and it's this whole portal to having a broader perspective around the world of what's going on."
Worldwide response: It's early days, but so far Gardner is enjoying sharing his sketchbook: "The response is this huge, worldwide array of people who pick up your work," he says. "I think that's just fascinating, and then I see what they're interested in and it's this whole portal to having a broader perspective around the world of what's going on."
Courtesy John Gardner
<strong>Drawing inspiration:</strong> Gardner is also keen to encourage others to follow in his footsteps. "I would say just do it, and this is why -- because even though I went to art school, and I grew up in an artistic home, I didn't actually start sketching until I was 38 and I'm now 58," he says.
Drawing inspiration: Gardner is also keen to encourage others to follow in his footsteps. "I would say just do it, and this is why -- because even though I went to art school, and I grew up in an artistic home, I didn't actually start sketching until I was 38 and I'm now 58," he says.
Courtesy John Gardner
<strong>Hard work and rewards</strong>: Gardner says the trick is commitment and patience. "The key is really to have a sketchbook and carry it with you everywhere," he says. "When you get a spare moment, whether it's on the plane or in a café or waiting at the airport, just start doodling and drawing [...] you'll be amazed at where you'll end up in one, two or five years."
Hard work and rewards: Gardner says the trick is commitment and patience. "The key is really to have a sketchbook and carry it with you everywhere," he says. "When you get a spare moment, whether it's on the plane or in a café or waiting at the airport, just start doodling and drawing [...] you'll be amazed at where you'll end up in one, two or five years."
Courtesy John Gardner