Mick Jagger’s film debut through the eyes of Cecil Beaton | CNN

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Mick Jagger’s film debut through the eyes of Cecil Beaton

Published 7:44 AM EST, Thu November 24, 2016
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Sotheby's "'Performance' by Cecil Beaton" exhibition in London shows unseen photos from Mick Jagger's film debut.
Sotheby's "'Performance' by Cecil Beaton" exhibition in London shows unseen photos from Mick Jagger's film debut.
©The Cecil Beaton Studio Archive
Shot in 1968, the film sees Jagger starring as an androgynous reclusive former rock star along Anita Pallenberg and James Fox.
Shot in 1968, the film sees Jagger starring as an androgynous reclusive former rock star along Anita Pallenberg and James Fox.
©The Cecil Beaton Studio Archive
Because of its gay undertones, explicit violence, depictions of drug use and graphic sex scenes, Warner Bros. put off releasing "Performance" until 1970.
Because of its gay undertones, explicit violence, depictions of drug use and graphic sex scenes, Warner Bros. put off releasing "Performance" until 1970.
©The Cecil Beaton Studio Archive
"The studio had read the script, so they should have known what they were getting into," recalls producer Sandy Lieberson. "But they really hated the film. They kept saying it was dirty."
"The studio had read the script, so they should have known what they were getting into," recalls producer Sandy Lieberson. "But they really hated the film. They kept saying it was dirty."
©The Cecil Beaton Studio Archive
Anita Pallenberg was dating Rolling Stone Keith Richards at the time of filming.
Anita Pallenberg was dating Rolling Stone Keith Richards at the time of filming.
©The Cecil Beaton Studio Archive
It was rumored that Jagger and Pallenberg had started an affair on set, and that their sex scenes were not simulated.
It was rumored that Jagger and Pallenberg had started an affair on set, and that their sex scenes were not simulated.
©The Cecil Beaton Studio Archive
The controversy wasn't enough to put off British society photographer <a href="index.php?page=&url=http%3A%2F%2Fedition.cnn.com%2F2016%2F01%2F20%2Farts%2Fphotography-england-cecil-beaton-deborah-devonshire%2F">Cecil Beaton</a> (seen here with camera), who Lieberson had invited to shoot the cast on set.
The controversy wasn't enough to put off British society photographer Cecil Beaton (seen here with camera), who Lieberson had invited to shoot the cast on set.
©The Cecil Beaton Studio Archive
"It was not difficult (to convince him to shoot with Jagger), let's put it that way," Lieberson says with a laugh. "I think he found Mick a very attractive character and figure."
"It was not difficult (to convince him to shoot with Jagger), let's put it that way," Lieberson says with a laugh. "I think he found Mick a very attractive character and figure."
©The Cecil Beaton Studio Archive
Beaton was less fond of Pallenberg, criticizing her "dirty white face, dirty blackened eyes, dirty canary drops of hair, barbaric jewelery" in his diary.
Beaton was less fond of Pallenberg, criticizing her "dirty white face, dirty blackened eyes, dirty canary drops of hair, barbaric jewelery" in his diary.
©The Cecil Beaton Studio Archive
According to Lieberson, Jagger was great to work with on set.
According to Lieberson, Jagger was great to work with on set.
©The Cecil Beaton Studio Archive
"It was something he was stimulated by, the idea of acting. He was always ambitious about trying to extend what he could do besides the Rolling Stones," Lieberson says.
"It was something he was stimulated by, the idea of acting. He was always ambitious about trying to extend what he could do besides the Rolling Stones," Lieberson says.
©The Cecil Beaton Studio Archive
Regardless of Jagger's effort, the film was panned by the critics when it eventually made its way to theaters.
Regardless of Jagger's effort, the film was panned by the critics when it eventually made its way to theaters.
©The Cecil Beaton Studio Archive
"Forty-odd years later, I think so much has changed in terms of what's acceptable and what isn't, and what is provocative and what isn't," Lieberson says.
"Forty-odd years later, I think so much has changed in terms of what's acceptable and what isn't, and what is provocative and what isn't," Lieberson says.
©The Cecil Beaton Studio Archive
"You look at 'Performance' now and it is surprising how contemporary it feels, and in some ways how visionary it was in terms of its style and the way the storytelling is used."
"You look at 'Performance' now and it is surprising how contemporary it feels, and in some ways how visionary it was in terms of its style and the way the storytelling is used."
©The Cecil Beaton Studio Archive
<a href="index.php?page=&url=http%3A%2F%2Fwww.sothebys.com%2Fen%2Fauctions%2F2016%2Fperformance-cecil-beaton-ls1605.html" target="_blank" target="_blank"><em>"'Performance' by Cecil Beaton"</em></a><em> is on view at S|2 Gallery in London from Nov. 25 to Dec. 23, 2016.</em>
"'Performance' by Cecil Beaton" is on view at S|2 Gallery in London from Nov. 25 to Dec. 23, 2016.
©The Cecil Beaton Studio Archive

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