
The Vienna-based design studio mischer'traxler (Katharina Mischer and Thomas Traxler) created a kinetic light installation, LeveL: the fragile balance of utopia, which is fully illuminated when still, and dims with movement.

Made from a network of metal rods with LED lights at each end, which are covered in hand-sewn paper-shades, LeveL functions as a room-sized mobile, responding to movements from human interaction.

India's "Chakraview" installation combined hanging textiles, fabric medallion curtains, a mirror-tiled floor, and a multimedia broadcast to striking effect.

The bright, eclectic showcase by the New Delhi-based artist and scenographer, Sumant Jayakrishnan, was intended to convey a message of "multiple utopias" linking India's past, present, and future.

A contemporary interpretation of an Anatolian tradition where wishes are tied to the branches of trees, Turkey's installation was conceived in response to the European refugee crisis as a symbol of hope, and a more positive future.

"The Wish Machine" by the Istanbul-based multidisciplinary design studio Autoban, is a pneumatic messaging system that sends capsules with hand written notes through a series of plastic tubes to an undisclosed location.

Germany's installation by designers Konstantin Gric and Olivia Herms, takes the shape of two opposing rooms: the first is a simply outfitted, bright white space showcasing the John Malchovich quote "Utopia means elsewhere".

The second part of Germany's entry is a black-box room with a digital fireplace and comfy seating, encouraging visitors to sit back and reflect on their personal interpretation of utopia.

London-based architect and designer Annabel Karim Kassar was behind the Lebanese entry to the Biennale. In collaboration with an extensive design team, she recreated Beirut's bustling street-life wish an interactive installation featuring a falafel vendor, a mattress maker, a juice vendor, and even a barber, amongst other stalls.

One section of the bazar featured houkas and an assortment colorful rifraf in a nod to the vibrancy and eclecticism of the Beirut souks, which Karim Kassar, in fact, redesigned in the mid 1990's.

Saudi sisters Basma and Noura Bouzo are the duo behind "The Water Machine" -- an outsize gumball machine that dispenses blue acrylic spheres, meant to symbolize water.

Intended to draw attention to the scarcity of water as a resource, the project invites visitors to take away one of the blue balls as a memento, or a reminder, to be a more responsible consumer of water, and beyond.


