
"Elephant" (1996). Another London Underground station, Elephant and Castle, is the subject of this almost abstract picture.

"Bank" (1997). A triptych, depicting a brick wall with peeled posters at the eponymous London Underground station.

"From the greenway" (2003). The East End transformation is exemplified in this painting of skyscrapers in Canary Wharf, London's financial district, which has seen many more get added since. "I have an older painting than this where there's just one skyscraper, like an erect penis, standing in the landscape like a declaration of wealth and Western power. Now it's like the New York skyline," McFadyen says.

"K.M.B." (2007). The acronym refers to a sticker found on the actual wall depicted here, reciting "Kill Matthew Barney," in reference to the American contemporary artist. The sticker is obscured with black paint.

"Olympia 2" (2011). Behind this barrier obscuring the site of the 2012 Olympics in Stratford, East London, two famous structures emerge: the Olympic stadium and Anish Kapoor's Orbit Tower.

"Pink Flats" (2006). McFadyen has transported this block of social housing flats found in Shoreditch, East London, to a more serene location on the river Lea, outside of the city. Why? Because the block once enjoyed great views of the Grand Union Canal, before luxury apartments were erected in front of it, obscuring the view.

"Tate Moss" (2010). Accessed after an adventurous canoe ride with friend and writer Iain Sinclair, this abandoned warehouse where artists used to squat was demolished to make space for Zaha Hadid's Olympic pool building.

"Roman Road" (2021). One of McFadyen's large size landscapes, depicting Roman Road in Bethnal Green, East London.



