
Ghanaian artist Kojo Marfo poses with one of the pieces from his sold-out solo exhibition, "Dreaming of Identity," which opened this summer at JD Malat Gallery, London.

Marfo's work explores the complexities of multicultural society and familial relationships. "Majestic Disorder" is about a family brought together by tragedy which grows apart as normal life resumes.

Growing up in Ghana, Marfo's work draws upon local customs and traditions. "Choir" is about a family who channel their love for religion through music.

"Noble" is a study of the financial and symbolic importance of cows in many African and Asian societies. The title references the higher social status linked to cattle ownership.

Having been raised by "strong women" in the Ghanaian town where he grew up, Marfo says he has been keen to explore stigmas around single parenting and family values. "Pillar of Hope" pays tribute to parents who raise their children to be "good, kind and respectful," despite challenging circumstances.

Marfo lived in Ghana, New York and several UK cities before settling in London. The nine-part "Stranger" series is inspired by casual encounters with Londoners.

One of the key themes of the "Stranger" series is gender ambiguity and identity.

"I'm trying to create something that could spark conversation," Marfo says. Pictured: "Stranger #3."

He says he kept the titles of the portraits generic to make the paintings feel more "inclusive and accessible," such as this "Stranger #4."

One of the topics Marfo returns to throughout his work is the beauty of vitiligo, a medical condition that causes patches of the skin to lose color.

The "Stranger" portraits include various references to both West African Akan and Western art, in an effort to reflect the "cultural melting pot" of London.


