Anja Niedringhaus: Her photos captured the humanity of the Afghan people amid war

Afghan schoolgirls peer out of the window of their classroom in Kabul, Afghanistan, in April 2013. Today, girls in Afghanistan are not allowed to go to school beyond the sixth grade.

‘She really saw into the hearts of people’: The legacy of Anja Niedringhaus

Photographs by Anja Niedringhaus/AP
Story by Kyle Almond, CNN
Published April 4, 2024

Afghan schoolgirls peer out of the window of their classroom in Kabul, Afghanistan, in April 2013. Today, girls in Afghanistan are not allowed to go to school beyond the sixth grade.

Anja Niedringhaus worked in conflict zones around the world and frequently risked her life to tell stories.

But she never wanted to be called a “war photographer.”

“She wasn’t covering a war. She wasn’t covering a country. She was covering a people,” said Kathy Gannon, a close friend and longtime colleague at the Associated Press.

Niedringhaus gave us a glimpse into lives that we often don’t see, focusing her lens on those most impacted by war, sharing their struggle while highlighting their courage and humanity.

“She really saw into the hearts of people,” Gannon said.

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An Afghan nomad kisses his daughter while watching his herd in Marjah, Afghanistan, in October 2012.

Ten years ago, Niedringhaus was killed while covering the lead-up to Afghanistan’s election. She and Gannon were in the back seat of a vehicle, traveling with a convoy of election workers delivering ballots, when a police commander walked up to their car, yelled “Allahu akbar” (“God is great”) and opened fire.

Gannon, now 70, remembers not knowing what happened at first.

“I thought there had been an explosion, and I remember looking down and my hand was almost gone,” she said. “There was lots of blood. … I felt the last couple of bullets, and then I could smell the sulfur and that’s how I knew that it wasn’t an explosion.”

Gannon was severely wounded. She was hit with seven bullets, two of which shattered her right shoulder blade and punctured her lung. Niedringhaus was leaning against her, not saying anything.

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Hundreds of people wait outside the Kart-e Sakhi mosque in Kabul in March 2013. They were celebrating Nowruz, which marks the beginning of springtime.
A young girl reaches out to greet a police officer who was securing a road in Mingora, Pakistan, in November 2012.
A woman has her newborn baby wrapped in her burqa as she waits to get in line to try on a new burqa at a Kabul shop in April 2013.

The two were rushed back to receive medical attention. It wasn’t until about six to eight hours later that Gannon found out that her friend had died.

Niedringhaus was 48 years old. The critically acclaimed German photographer, part of an AP team that won a Pulitzer Prize in 2005 for its photography of the Iraq War, was admired by many.

“She consistently volunteered for the hardest assignments and was remarkably resilient in carrying them out time after time,” said Santiago Lyon, who at the time was the AP’s vice president and director of photography. “She truly believed in the need to bear witness.”

Niedringhaus was also remembered fondly for her infectious laugh and her generosity. “She would always be working with local photographers and local TV people, and if they had problems with their equipment or access, she was always, always wanting to help her colleagues in the field,” Gannon said, adding: “Anja was all heart.”

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An Afghan boy flies his kite on a hill overlooking Kabul in May 2013. Kite flying had been banned during the Taliban regime.

For five years, Niedringhaus and Gannon teamed up to cover many stories out of Afghanistan and Pakistan, where Gannon was AP’s senior correspondent. The pair hit it off instantly and soon became “inseparable,” Gannon said.

“Anja really wanted to tell the stories that sort of made the invisible visible,” Gannon recalled.

They talked about doing a book together at the end of 2014, combining Niedringhaus’ photos with Gannon’s words. At the time, the country was very insecure, and many Afghans were frustrated by corruption and the violence caused by a growing Taliban insurgency.

“She had this vision to tell, through images, the resilience of Afghans ... their determination still to vote,” Gannon said.

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Mohammed Isaq weeps as he tells the story of his nephew's arrest by US Special Forces in Maidan Shahr, Afghanistan, in March 2013.
An Afghan prisoner stands with her child inside Badam Bagh, Afghanistan's central women's prison in Kabul, in March 2013. The majority of the women there were serving sentences for so-called moral crimes such as leaving their husbands, refusing to accept a marriage arranged by their parents, or choosing to leave their parents’ home with a man of their choice.
An Afghan National Police officer mans a checkpoint on the outskirts of Maidan Shahr in May 2013. Niedringhaus preferred black-and-white images to color, according to her friend Kathy Gannon: “She believed that black-and-white images were the most telling and the starkest and the most romantic way to tell a story in pictures.”

Ten years later, Niedringhaus’ vision is now a reality.

Some of her most powerful images are featured in a new book, “Anja Niedringhaus,” that will be available at an exhibition opening Thursday at the Bronx Documentary Center in New York.

Gannon helped to curate the book and exhibition, which features much of the work she did with her friend.

“The book and the images really speak to her spirit and and also to the spirit of what we do as reporters, as photographers, in our effort to try to inform and try to tell the story of others,” Gannon said.

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A salesman in Kabul holds up a framed carpet depicting Afghan President Hamid Karzai in March 2014. Karzai was president from 2002 to 2014.
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An Afghan soldier and police officer peek through a window as they line up with others to get their voter registration cards in Kabul in April 2014.

As part of the exhibition’s opening on Thursday, the International Women’s Media Foundation will announce the winner of its annual Anja Niedringhaus Courage in Photojournalism Award.

Since 2014, the award has celebrated women photojournalists whose work reflects courage and dedication.

Niedringhaus once said, “I do my job simply to report people’s courage with my camera and with my heart.”

Gannon said this perfectly encapsulates how her friend approached her work.

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A Pakistani soldier carries a kerosene lamp to his mountaintop outpost on the Afghan border in February 2012. Niedringhaus and Gannon were embedded with the Pakistani army at the time. They also spent time with Afghan soldiers.

Gannon’s recovery has been a long process, filled with 18 operations — another one is this month — and lots of physiotherapy.

She retired from the AP two years ago, but she still went back to work in 2016, determined to do right by her friend.

“Anja would be crazy if she thought that I would be too afraid to go back,” Gannon said. “That’s something she would have never accepted, to let some crazy gunman decide my future.

“And it was really important that I go back and not see Afghans in Afghanistan differently, because Afghans are extraordinary people. They’re kind. They’re warm.”

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A man jumps from a diving board into a swimming pool overlooking Kabul in May 2013.
Ahmad, a 20-year-old Afghan soldier, pauses as he cleans his weapon at a training center on the outskirts of Kabul in May 2013.
Boys peer out from the trunk of a car as they get a ride through the center of Kabul in March 2013.

Gannon says she has gone over the events of 10 years ago “a million times in my head” but still believes they would make the same decisions today.

“We were careful. We were smart. We took all the precautions as best we could, short of staying in the office,” she said. “But we wanted to cover the story.”

She received calls from Afghans who apologized on behalf of their country. She would tell them that one gunman doesn’t define a nation.

“If I looked at every Afghan as a potential threat, then how can you tell their stories?” she said. “And what a disservice that is to them and to me and to AP and to our profession. ...

“I had to go back. I did it for me, but I also did it for Anja.”

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A man enjoys a sunset from a hill overlooking Kabul in March 2012.

The Anja Niedringhaus exhibition opens Thursday, April 4, at the Bronx Documentary Center in New York. Copies of the photo book will be available for purchase. The exhibition ends May 5 and will later move to Cambridge, Massachusetts, and Washington, DC.

Credits

  • Photographer: Anja Niedringhaus
  • Writer: Kyle Almond
  • Photo Editors: Will Lanzoni and Brett Roegiers